While the Nobel Prizes are 115 years old, rewards for scientific achievement have been around much longer. As early as the 17th century, at the very origins of modern experimental science, promoters of science realized the need for some system of recognition and reward that would provide incentive for advances in the field.
Before the prize, it was the gift that reigned in science. Precursors to modern scientists – the early astronomers, philosophers, physicians, alchemists and engineers – offered wonderful achievements, discoveries, inventions and works of literature or art as gifts to powerful patrons, often royalty. Authors prefaced their publications with extravagant letters of dedication; they might, or they might not, be rewarded with a gift in return. Many of these practitioners worked outside of academe; even those who enjoyed a modest academic salary lacked today’s large institutional funders, beyond the Catholic Church. Gifts from patrons offered a crucial means of support, yet they came with many strings attached.
Bright stars top Christmas trees in Christian homes around much of the world. The faithful sing about the “Star of Wonder” that guided the wise men to a manger in the little town of Bethlehem, where Jesus was born. They’re commemorating the Star of Bethlehem described by the Evangelist Matthew in the New Testament. Is the star’s biblical description a pious fiction, or does it contain some astronomical truth?
In every culture that anthropologists have ever studied, people tell stories.
Families most frequently tell stories around the time of vacations, family reunions, (sadly) funerals, Thanksgiving and, of course, the family-oriented winter holidays of Christmas, Hanukkah and Kwanzaa.
Stories are told about times past, times present and even times yet to be. These stories mix real people and places with imaginary people and places. For instance, there was never anyone called Sherlock Holmes, but the town he lived in – London – is real. The street he lived on – Baker Street – is also real. But there is no 221B – his house number in the story. So, why do we tell these stories?
Like sending sensors up into a hurricane, NASA has flown four spacecraft through an invisible maelstrom in space, called magnetic reconnection. Magnetic reconnection is one of the prime drivers of space radiation and so it is a key factor in the quest to learn more about our space environment and protect our spacecraft and astronauts as we explore farther and farther from Earth.
Ralph Waldo Emerson once said, “A man in debt is so far a slave.” Money has no intrinsic value yet we spend our days damaging our health and spirit in order to obtain it. Why do we sacrifice our well-being for it? Is it the cliché that “we just want to provide a better life for our kids than we had?” Is it just way of the civilized world? The most important question to ask, however, is what power do we have to change this way of thinking and living? The reality is simple: money is a vehicle for social control. Debt makes us good, obedient workers and citizens.
From C60 to the Buckminster fullerene, our world is still being mined for its secrets which lie hidden behind one of nature's most plentiful elements. The "Buckyball" or C60 is a cage molecule with a similar pattern to a soccer ball and forms an entirely new form of carbon which stands separate from diamond and graphene. Discovered not long ago in 1996 by accident, the dynamic pattern was named after Buckminster Fuller who was an American architect, systems theorist, author, designer, and inventor. He also developed numerous inventions, mainly architectural designs, and popularized the widely known geodesic dome.
Graham Hancock is a British writer and journalist who specialises in theories involving ancient civilisations, stone monuments or megaliths, altered states of consciousness, ancient myths and astronomical/astrological data from the past.
We’ve all had that feeling that somebody is watching us – even if we’re not looking directly at their eyes. Sometimes we even experience a feeling of being watched by someone completely outside our field of vision. But how can we explain this phenomenon without resorting to pseudoscientific explanations like extrasensory perception (or a “sixth sense”)?
Curator Gaylord Torrence set an ambitious agenda for The Plains Indians: Artists of Earth and Sky – distill 2,000 years of artistic achievement by Plains Indians, with a particular focus on the changing culture of the last three centuries.